Earning the Room: How Concerts Are Adapting to a Distracted Audience
The concert hall no longer has a monopoly on attention. Here's how ensembles and artists are answering that — through programming, pacing, and a new relationship with the camera.
The concert hall no longer has a monopoly on attention. Here's how ensembles and artists are answering that — through programming, pacing, and a new relationship with the camera.